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Sublime in a 1996 promotional photo. From left to right: Bud Gaugh, Eric Wilson and Bradley Nowell.
Background information
Origin	Long Beach, California, U.S.
Genre(s)	Ska-punk Third-wave ska Hip hop Reggae
Years active	19881996
Label(s)	MCA, Skunk
Associated acts	Long Beach Dub Allstars Long Beach Shortbus Eyes Adrift Volcano
Former members
Bradley Nowell Eric Wilson Bud Gaugh

Sublime was an American ska-punk band that originated in Long Beach, California. Founded in 1988, Sublime were Bradley Nowell (vocals and guitar), Bud Gaugh (drums) and Eric Wilson (bass guitar). Lou Dog was the mascot of the band. Sublime achieved mainstream success with their self-titled third album. Nowell died of a heroin overdose shortly before its release, resulting in the band's split in 1996. Worldwide, Sublime has sold over 17 million albums, including about 10 million in the U.S. alone.

Eric Wilson and Bud Gaugh were childhood friends having grown up in the same Long Beach neighborhood. Eric's father Billy Wilson taught Gaugh how to read music and play the drums. Gaugh and Wilson together with later Sublime manager Michael Happoldt formed a three-piece punk band called The Juice Bros during their high school years. About this time, Nowell joined the band.

Sublime played its first gig on the Fourth of July 1988 in a small club in Long Beach, California, reportedly starting the "Peninsula Riot" in Harbor Peninsula which led to seven arrests. For the next several years, the group focused primarily on playing at parties and clubs throughout Southern California. They recorded a few songs and put forth a number of short demos beside the well known Jah Won't Pay the Bills, containing several songs which would later appear on their major releases.

Eventually, Sublime developed a large following in California. After concentrating on playing live shows, the band released 40 Oz. to Freedom in 1992 under Nowell's label, Skunk Records. The record established Sublime's blend of reggae, punk, ska, and hip hop, and helped to further strengthen the group's growing California following. Initially being sold exclusively at their live shows, the album became widely known in the greater Los Angeles area after rock radio station KROQ began playing the song, "Date Rape". In June 1994, Sublime was signed to the label Gasoline Alley of MCA records by Jon Phillips who subsequently became Sublime's manager.

The band toured extensively throughout 1994 and '95, their popularity increasing gradually beyond the West Coast as "Date Rape" began earning radio play. Nowell was known for his tendency to play heavily intoxicated to the degree that he sometimes seemed to be not even able to play the guitar, as seen in the majority of the videos featuring the band live. In 1995, the band co-headlined the inaugural nationwide Vans Warped Tour. Being one of the most popular acts on the tour, their drug use led to tensions with the tour management. Gaugh was arrested several times for possessing marijuana. Similarly, the band's famed practice of keeping their dogs with them everywhere, including on the stage, resulted in concert-goers being bitten. Sublime was actually kicked off the tour for some time before the tour management was forced to reconsider and bring them back due to the crowd demand. After the Warped Tour and the subsequent Three Ring Circus Tour, the band was pressured to begin producing new studio material as a proper follow-up to the suddenly-prosperous 40 Oz. to Freedom.

Early 1996 saw Sublime headline the very first SnoCore Tour. In February, they began recording what would comprise the band's self-titled third record and their major label debut album. They completed it before Nowell died of a heroin overdose on May 25, 1996 at the Oceanview Motel in San Francisco, two months prior to the release. The album became a huge success, including the single "What I Got", which made it to #1 at the Modern Rock Chart. The album earned the band worldwide fame, and has since gone five-times platinum. Beside "What I Got", the album included several popular singles including "Santeria", "Doin' Time", "Wrong Way" and "April 29, 1992 (Miami)", all of which received heavy airplay.

A number of posthumous releases followed, among them Second-Hand Smoke in 1997 and both Stand by Your Van and Sublime Acoustic: Bradley Nowell & Friends in 1998. By the release of their Greatest Hits compilation in 1999 the band had released as many albums after Nowell's death as during his lifetime. A box set of demos, rarities and live recordings called Everything Under the Sun was released on November 14, 2006.

Following Sublime's demise, its surviving members Eric Wilson and Bud Gaugh formed the Long Beach Dub Allstars in 1997, which also included many frequent Sublime contributors such as Michael "Miguel" Happoldt (former member of The Ziggens), Todd Forman (3rd Alley) and "Field" Marshall Goodman. LBDA then disbanded in 2002.

Sublime utilized a genre-blending mash-up style which incorporated elements of dub, reggae, ska, punk rock, improvised dancehall, hip hop, psychedelic rock and acoustic rock, which they developed through their live shows. The band is most usually classified as ska-punk, although likely their most prevalent influence, dub reggae, is not directly attributed in such a classification.

Sublime's music was highlighted by bass-driven grooves, reggae rhythms, elaborately-cadenced rhyme schemes and transitions between paces and styles throughout a given song, sometimes alternating between thrash punk, ska and reggae within the same song. Their music often contains psychedelic, harmonic minor-based or bluesy guitar solos, rhythmically-improvised bass solos or dub-lines, turntable scratching and rolling drum transitions.

According to the band's MySpace site, Rolling Stone writer David Wild stated the following about the band.:

The singular sound of Sublime, alternately polished and rough and ready, finds stoner rock, rap, punk, and hip-hop funk blended with doses of ska, rock steady, dancehall, and every other pungent flavor of reggae. The result was a beautiful, warts-and-all brand of poetry - a powerful new blend of street sounds and party music. In Nowell, Sublime had an astounding singer and lyricist who created his own edgy but expressive underground vernacular. And in Eric Wilson and Bud Gaugh, Sublime was fortunate to have an agile, rock-solid rhythm section that could cover the entire musical waterfront. They were musical counterparts that created their own signature rhythmic foundation, creating the ultimate canvas for Nowell to embellish.